So I’m diving straight into my comprehensives now. I’m building lists and checking them twice (and more). While building these reading lists is in many ways a very personal journey, I’ve decided to blog about the process so that I might get feedback from unexpected locales, harnessing the “wisdom of crowds” (while simultaneously, in both comp areas, critiquing how such “wisdom” is in fact problematic). I also hope that documenting the process can help others through it. I won’t be posting my full notes (who’d read them?), but I will share my definitional essays, my questions and answers, and an account of process along the way. I’ve written up preliminary prÃ©ces of my two exam areas below.
Area 1. Science and Technology Studies. This will involve SCOT, ANT and other critical theories, but it will also dovetail through Philosophy of Technology (I’m thinking Heidegger through Marcuse and Feenberg, and also including Ellul and others, perhaps a few off the beaten track – we’ll see). I want to ask questions through this literature about the relationship of technology, power and social organization/social change. There are also some intriguing connections with Area 2 (below) via Hennion/Latour (their work on culture industries), and, according to one of my advisors, Habermas’ Public Sphere as well as Lazarsfeld.
Area 2. Culture Industries/Sociology of (The) Art(s). Starting with Hesmondhalgh’s (2002) synthesis of political economy of media studies with cultural studies and other approaches to the sociology of art, I plan to broaden this area out to include American and Continental approaches to the study of cultural/creative industries. This will likely include a range of approaches, including Bourdieu (various), Becker (various), and DeNora’s more recent work, but this area is still under development. There are important connections to literature on occupations (Balfe, Latouche) organizational studies (Throsby, Sacco, Menger), and of course The Frankfurts. Essentially, as I told one of my advisors this morning, I want to survey the body of work that theorizes culture industries, without limiting myself to a particular tradition (as approaches vary broadly). Keep in mind that I wish to keep this area current, as well, and as such I will need to make room for Eglash’s (and others’) work on appropriation, as well as Jenkins’ (and others’) work on fan culture. Sprawling enough? It makes sense to me.
My advisors, colleagues and friends (as well as the “social web” hoi polloi) can feel free to jump in any time. Like you have any time.